Your interpretation and Miyazaki's can both exist. That being said your theory is interesting and you should feel free to keep believing it. Without requiring a lot of speculation and self-convincing, I don't see the maggot as the sun that can help him save his world nearly as much as I see the fire. The next day I remembered what had happened and asked my wife about it, that I had seen Jay grabbing her buttocks. DEAR ABBY: Over the weekend, while I was cleaning and reorganizing our bedroom, I found the engagement ring my boyfriend plans on proposing to me with.I didn’t know he was planning to ask the. As the night continued, I did not see any more groping, but I wasn’t really looking, I seemed to forget about it, probably from more drinks.
In honor of everyone who has died from a virus or disease.
I don't think Solaire ever knew exactly what sun he was looking for, but knew he would find out when he came across it. A Friend Groped My Wife At a New Year’s Party. A short game, done with great care and a great lesson behind it. Solaire's own tragedy is just made more impactful to the player with the irony of being turned insane by a creature that looks bright like the sun. Ultraviolet Dancing on Broken Glass My Dark Disquiet False Kings Fools Paradise Standstill The Sweet Escape Moments Before the Storm In a Perfect World. Similar outcomes are seen with other NPCs, who turn hollow and attack you if they lose their purpose. Miyazaki meant this was the more happy ending, not the sunlight maggot ending (which is the one he wanted to happen in most playthroughs to play into the game's themes.) The sunlight maggot represents Solaire's reaction to the maddening desperation and futility of his questline to find his sun in a fading world. Before the part you italicized, Miyazaki spends the whole paragraph expressing his regret of not having put more hints in that would help the player save Solaire so that Solaire could assist the player and link the fire in his own world afterwards. I think you misinterpretted the interview.
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